Posts tagged: Art
Danza De La Realidad (“The Dance of Reality”) is an autobiographical film that Jodorowsky crowdsourced. It should debut today at the Cannes film festival (or perhaps already did), along with Jodorowsky’s Dune, a documentary about the director’s cancelled attempt to adapt the book.
The LA Times has more:
Born to Russian Jewish émigrés in 1929, Jodorowsky studied theater and worked as a circus clown and puppeteer in Santiago. In postwar Paris he performed mime with Marcel Marceau and fell in with the surrealists. He then moved to Mexico, where he mounted dozens of plays inspired by Antonin Artaud’s theater of cruelty. Back in Paris, where he has lived since the 1980s, he cultivated multiple sidelines: writing comic books, studying the tarot and developing a therapeutic method known as psychomagic, rooted in both psychoanalysis and shamanism.
Psychomagic is the guiding philosophy of “The Dance of Reality,” a kind of home movie writ large. Jodorowsky’s wife, Pascale Montandon, was the costume designer, and three of his sons appear in it, including Brontis (who in “El Topo” portrayed the son of the title character, a gunslinger known as “the mole” and played by Alejandro Jodorowsky). In the new film, Brontis, now 50, plays Jodorowsky’s Stalin-lookalike father, whom the director described as “a very terrible father, a very hard man, but he had his reasons.”
“Before we started, I said to the crew, ‘I am trying to heal my soul,’” Jodorowsky said. “But it’s not an egocentric, narcissistic picture. Poetry doesn’t speak about history. It speaks about interior life, universal problems.”
And from The Guardian’s review:
Of course, the entire story is swathed in surreal mythology, dream logic and instant day-glo legend, resmembling Fellini, Tod Browning, Emir Kusturica, and many more. You can’t be sure how to extract conventional autobiography from this. Despite the title, there is more “dance” than “reality” — and that is the point. Or part of the point. For the first time, Jodorowsky is coming close to telling us how personal evasiveness has governed his film-making style; his flights of fancy are flights of pain, flights from childhood and flights from reality. And now he is using his transformative style to come to terms with and change the past and to confer on his father some of the heroism that he never attained in real life.
For more on Jodorowsky, see our Alejandro Jodorowsky dossier.
A Web Comic About Steve Jobs And Steve Wozniak As Young Hippies
Patrick Farley, the artist behind the pioneering web comic E-Sheep, has a series that started today. Steve and Steve follows the adventures of Apple Computer founders Steve Jobs and Steve Wozniak as young, acid tripping hippies in the 70s. The ending of the prologue makes me think this may be an alternate history comic. It also displays the fascination with early hominids found in Farley’s last comic the First Word.
The Life and Strange Death of Seth Fisher
Ben Morse writes:
Tokyo, Japan-the cultural and fiscal hub of one of the world’s most elegant and sophisticated societies. It’s the last place one would expect to find a naked man roaming the streets.
But Seth Fisher is out for a midnight stroll.
‘Seth was trying to overcome his fear of being naked in public,’ relates Langdon Foss, college roommate and longtime friend of the Fantastic Four/Iron Man: Big In Japan artist. ‘He would draw all his scripts and then go out and walk around the neighborhood naked. His wife would lock him out, she was so mad. For somebody to do that in Japan, well, he might as well have eaten a baby or something.’
See also: Meanwhile interview with Seth Fisher
With ‘Skintimacy’ we present a skin-based interface for a collaborative musical performance. The experimental setup is intended to be both an evocative tool for interpersonal interaction and touch, as well as an alternative digital musical instrument. By integrating the human skin and touch into the musician-computer interface, we propose a bodily-close haptic and emotional experience.
A bit less weird, but still interesting: How to Destroy Angels’ light instrument:
Rob Sheridan, the art director for Trent Reznor’s side project How To Destroy Angels, is up on stage, but he has no instrument. More accurately, he is playing an instrument, but it doesn’t play music — it plays light.
Those not weird enough for you? Check out Smeller:
SMELLER is a genuine organ, an olfactokinetic art device for composing, producing, interpreting, programming, recording, storing and playing back compositions made up of scents and scent chords.
The SMELLER 2.0 project encompasses
The production of the hardware
The production of the control software
The production of the notation system
The production of the scent sources (basic components)
The creation of olfactokinetic scent compositions (“Smellodies”)
Tim Maly writes:
On January 20, 2013, sometime before 7:45PM, Lauren McCarthy sat down at a table. She was early. She always arrived early. Once she had a spot, she checked her setup. She kept the iPhone in her purse, its camera poking out and angled to capture the whole scene. The iPod touch was kept close at hand. The iPhone was connected to Ustream and Ustream was connected to Amazon’s Mechanical Turk. The Turk workers had a web form to fill out, which would send texts to the touch. Satisfied that it was all in order, she settled in to wait for her date.
Over the next two hours, McCarthy and an anonymous man went through the motions of a first date, while a rotating series of Turk workers watched the video feed for an average of four minutes and 32 seconds, wrote down what they saw and sent McCarthy instructions, which she tried her best to follow. At 9:24PM, one worker rated the interaction a five out of five, told McCarthy that she should say, “What are you looking for?” and logged the following observations: “man seems to pity her and find her exquisite at the same time. WOMAN SEEMS TO HAVE STUMBLED UPON THE WAY TO LIVE!” For this, the worker was paid $0.25.
Artist Rian Hughes is putting together a show at Orbital Comics to criticize pop artist Roy Lichtenstein and celebrate his original sources:
“Pop artist Roy Lichtensein currently has a show on at the Tate. While the public is intimately familiar with his work, what they may be unaware of is how closely many of his images were “appropriated” from comic artists like Irv Novick, Russ Heath, Jack Kirby, John Romita and Joe Kubert, who received no fee or credit.
Is this an act of brilliant recontexturalisation? The elevation of commercial “low” art to “high” art? Art world snobbery? Artistic licence? Cultural annexation? Gallery shortsightedness? Or something else?
This show is a chance for real comic-book artists (and other “commercial artists” – illustrators, designers etc) to ask these kinds of questions and share their views, via their work.Every interested comic artist (or illustrator, graphic designer or other “commercial artist”) should “re-reappropriate” one of the comic images Lichtenstein used, and rework it, using some of their ‘commercial art’ drawing skills, to warp and twist it into something interesting and original, and in the process to comment on this type of appropriation.
The IMPORTANT thing to stress is that you’d be going back to the source material and re-reappropriating (sic) Coletta, Novick, Kirby et al – NOT copying Lichtenstein, as we don’t want copyright issues from the Lichtenstein estate …see this as a celebratory, positive show which aims to get the point across that the original artists deserve credit and respect …As suggested by Dave Gibbons, money raised from selling prints or originals will be donated to the Hero Initiative, which helps down-on-their-luck comics veterans: http://www.heroinitiative.org/ Again, a nice way to Give Back the Art.”
The show is accepting submissions.
Full Story (and many more images): Robot 6: Comic artists razz Lichtenstein with the Image Duplicator show
AlexCF: Hello, my name is Alex. I call my work “cryptozoological pseudoscientific art”, which is a longwinded way of describing what i do, but it is pretty specific. I make items, artifacts and specimens from a past that never happened – the remains of extinct species, scientific discoveries, nefarious characters from ancient continents, relics of mysterious cultures – the things you wish you could find in your grandparents attic, or a secret room in an abandoned house. I have created a fictitious history in which certain rich collectors have spent their lives exploring and discovering, and it is my job to present these items to the public. Each piece has a story, and in time all will connect, and I will release a collected monograph of these items and the tale of their discovery. I take influence from maddening horror, Victorian aesthetic, sci-fi pulp and Darwinian biology.
IT all looked so normal: a dozen diners chatting over coffee and hash browns at an outdoor cafe near the waterfront here on an August morning. The cook flipped eggs, a dog sniffed for scraps, and the young woman in the black sweater suspected nothing of the spies and confederates sprinkled throughout. They’d been studying her life for four months and were finally preparing to pull it through the looking glass they’d constructed. Within 36 hours there would be confusion, euphoria, tears, even an abduction.
It was all in the service of art. For more than a decade a loose-knit, multidisciplinary collective called Odyssey Works has been quietly inverting art’s longstanding arrangement with its audience. Rather than a single artist creating for a general population, it directs many artists at a deeply researched population of one. The intricate creations that converge in the group members’ weekend-long performances — sound installations, films, performance art and more — exist only for their chosen subject, whom they’ve come to know very well. Then it all vanishes. The idea is a beautiful inefficiency: a tiny but infinitely more affected audience.
(via Tim Maly)
Cameron Stewart is known for his work with Grant Morrison on Batman and Robin, Seaguy, Seven Soldiers: The Manhattan Guardian and a few pages of The Invisibles, amongst other things. But he also wrote and drew a serialized online comic called Sin Titulo, a surreal mystery in the vein of Haruki Murakami or David Lynch that won an Eisner award. It will be released in print later this year by Dark Horse Comics, but you can read it online now for free.