Posts tagged: Occult
Danza De La Realidad (“The Dance of Reality”) is an autobiographical film that Jodorowsky crowdsourced. It should debut today at the Cannes film festival (or perhaps already did), along with Jodorowsky’s Dune, a documentary about the director’s cancelled attempt to adapt the book.
The LA Times has more:
Born to Russian Jewish émigrés in 1929, Jodorowsky studied theater and worked as a circus clown and puppeteer in Santiago. In postwar Paris he performed mime with Marcel Marceau and fell in with the surrealists. He then moved to Mexico, where he mounted dozens of plays inspired by Antonin Artaud’s theater of cruelty. Back in Paris, where he has lived since the 1980s, he cultivated multiple sidelines: writing comic books, studying the tarot and developing a therapeutic method known as psychomagic, rooted in both psychoanalysis and shamanism.
Psychomagic is the guiding philosophy of “The Dance of Reality,” a kind of home movie writ large. Jodorowsky’s wife, Pascale Montandon, was the costume designer, and three of his sons appear in it, including Brontis (who in “El Topo” portrayed the son of the title character, a gunslinger known as “the mole” and played by Alejandro Jodorowsky). In the new film, Brontis, now 50, plays Jodorowsky’s Stalin-lookalike father, whom the director described as “a very terrible father, a very hard man, but he had his reasons.”
“Before we started, I said to the crew, ‘I am trying to heal my soul,’” Jodorowsky said. “But it’s not an egocentric, narcissistic picture. Poetry doesn’t speak about history. It speaks about interior life, universal problems.”
And from The Guardian’s review:
Of course, the entire story is swathed in surreal mythology, dream logic and instant day-glo legend, resmembling Fellini, Tod Browning, Emir Kusturica, and many more. You can’t be sure how to extract conventional autobiography from this. Despite the title, there is more “dance” than “reality” — and that is the point. Or part of the point. For the first time, Jodorowsky is coming close to telling us how personal evasiveness has governed his film-making style; his flights of fancy are flights of pain, flights from childhood and flights from reality. And now he is using his transformative style to come to terms with and change the past and to confer on his father some of the heroism that he never attained in real life.
For more on Jodorowsky, see our Alejandro Jodorowsky dossier.
Did Aleister Crowley Communicate With Grey Aliens?
Well maybe, but he never seemed to have thought so:
The idea that Crowley believed Aiwass and Lam to be the same entity, or that either were extraterrestrials from Sirius, is only the speculation of Kenneth Grant and those who have based their research on source material written by Grant. Additionally, very little can be said about the inspiration for the Lam portrait or what Aleister Crowley thought about it. […]
At least to the present author, this description of a kingly, tall, dark man in his thirties does not fit the Lam drawing. More importantly in relation to the subject of this post, the description does not match up at all with that of a “grey alien,” which many people relate to Lam.
The next important piece of information to take from Crowley’s depiction of Aiwass is that he never actually saw Aiwass at all. He only heard the voice of Aiwass from over his left shoulder, and from the furthest corner of the room. Not once did he actually look at Aiwass. His physical descriptions are only impressions.
So here we have a character description based only on non-visual impressions, and which doesn’t seem to correspond with the pictured Lam or grey aliens at all. This is the only known written description of Aiwass by Aleister Crowley.
Crowley himself never wrote much of anything at all about Lam, where the figure came from, or his ideas/thoughts about the subject in the drawing. What he did write was limited to a short, two sentence commentary in The Voice Of The Silence, which will be discussed later in this article.
See also: A Media History of Gray Aliens
An illustration of HG Wells’ tale of human evolution, “The Man of the Year Million,” is one of the oldest depictions of the “big headed genius” trope.
The concept is based on Lamarckian evolution, specifically the idea that body parts we use frequently will grow larger but parts we use less frequently will atrophy. Wells took this to the logical extreme, postulating (with tongue in cheek) that we would eventually grow gigantic brains and hands but tiny legs and torsos.
Occult America author Mitch Horowitz writes:
Many academics and observers of cult phenomena, such as psychologist Philip G. Zimbardo of Stanford, agree on four criteria to define a cult. The first is behavior control, i.e., monitoring of where you go and what you do. The second is information control, such as discouraging members from reading criticism of the group. The third is thought control, placing sharp limits on doctrinal questioning. The fourth is emotional control—using humiliation or guilt. Yet at times these traits can also be detected within mainstream faiths. So I would add two more categories: financial control and extreme leadership.
Horowitz also recently delivered the State of the Occult Address with Richard Smoley. I haven’t read it, but thought some of you might be interested.
Palm reader turned cognitive scientist Ray Hyman wrote:
As we have seen, clients will readily accept stock spiels such as those I have presented as unique descriptions of themselves. Many laboratory experiments have demonstrated this effect. Forer (1948) called the tendency to accept as valid a personality sketch on the basis of the client’s willingness to accept it ‘the fallacy of personal validation.” The early studies on personal validation were simply demonstrations to show that students, personnel directors, and others can readily be persuaded to accept a fake sketch as a valid description of themselves. A few studies tried to go beyond the demonstration and tease out factors that influence the acceptability of the fake sketch. Sundberg (1955), for example, gave the Minnesota Multiphasic Personality Inventory (known as the MMPI) to 44 students. The MMPI is the most carefully standardized personality inventory in the psychologist’s tool kit. Two psychologists, highly experienced in interpreting the outcome of the MMPI, wrote a personality sketch for each student on the basis of his or her test results. Each student then received two personality sketches– the one actually written for him or her– and a fake sketch. When asked to pick which sketch described him or her better, 26 of the 44 students (59 percent) picked the fake sketch!
Sundberg’s study highlights one of the difficulties in this area. A fake, universal sketch can be seen as a better description of oneself than can a uniquely tailored description by trained psychologists based upon one of the best assessment devices we have. This makes personal validation a completely useless procedure. But it makes the life of the character reader and the pseudo psychologist all the easier. His general and universal statements have more persuasive appeal than do the best and most appropriate descriptions that the trained psychologist can come up with.
See also: The Forer Effect
From a “document presented to individuals who have been invited to join the Neoist Alliance”:
Anyone who has allowed the scales to fall from their eyes can see that the world’s top occultists are to be found among the ruling class and that those New Age groups who attract disciples by offering training in ‘chaos magick’, ‘creative visualisation’ or ‘rubbing the Buddha for money’, are worse than mere rank amateurs, they are shameless charlatans. Indeed, many of them are quite consciously working to prevent the development of a system of symbol manipulation that is completely autonomous of the state. Currently, Masonry is marshalled in defence of the status quo, but as the Bavarian Illuminati demonstrated in the eighteenth-century, power always flows in two directions and it rarely emanates from what is widely misperceived as constituting the ‘centre’. The cellular form of secret societies devised by the founders for the security of the movement, can as readily be used to hoodwink the leadership, who thus become unwitting front men for activities they would never countenance. By infiltrating the Lodges of Masonry, it is possible to spread a heretical message of freedom across the world.
Not that there’s much power in the lodges these days. But the model is still alive and well at the The Church of Jesus Christ of Latter-day Saints (aka the Mormon Church). Alcoholics Anonymous is pretty interesting as well.
Previously: Occult Battles On The Streets Of London, 1993
In 1993 the Neoist Alliance protested Ian Stuart’s performance of Karlheinz Stockhausen’s Harlequin, promising to levitate the Pavilion Theatre 25 feet off the ground. Thee Temple Ov Psychic Youth (TOPY), however, lead a counter protest to stop the levitation, concerned that the levitation could create “a negative vortex would be created which could seriously damage the ozone layer.”
As the handful of individuals who’d decided to cross the picket line arrived for the concert, they were met with chants of ‘Boycott Stockhausen’ from our ranks, to which the TOPY activists replied with cries of ‘Stop The Levitation’. The counter-demonstrators pleaded with concert-goers to remain outside the building so that they could participate in a set of breathing and visualisation exercises designed to prevent the levitation. Once the concert began, the two sets of demonstrators prepared themselves for a psychic battle outside the theatre. These street actions drew a far larger crowd than the Ian Stuart recital inside the building. Passers-by were reluctant to step in front of the waves of psychic energy we were generating and soon much of the street was at a standstill. The Brighton and Hove Leader of 20/5/93 quoted one shaken concert-goer as saying, ‘I definitely felt my chair move. It shook for a minute and then stopped.’ The Neoist Alliance also received reports of toilets overflowing and electrical equipment short-circuiting, although these went unreported by the press.
While TOPY were adamant that their actions prevented the Pavilion Theatre being raised 25 feet into the air, the Neoist Alliance considers the protest to have been a complete success.
(via Peter Bebergal)
My favorite album of the year thus far is Portland trio Bruxa‘s new album Victimeyez. It’s an occult informed dark hip hop album, with tastes of electro, chopped and screwed, witch-house and dubstep thrown in. They call it witchstep.
The digital version Victimeyez is free to download and was released by Mishka, a streetwear company in New York City that also puts out some Pyschic TV merch. A cassette release will follow from Sweating Tapes, the label that released their debut EP Eye On Everybody last year.
They’re from Portland, but I have no idea who they are. I randomly stumbled across their first EP on Bandcamp and was hooked — it was my second favorite album of 2011 (after Zomby’s Dedication). Discovering Sweating Tapes set me down a rabbit hole of Portland-based dark electronic scene that I had no idea existed.
The great and powerful internet auction house eBay has henceforth banned all sales of wizardly enchantments and magic spells, even if you have a vacuum cleaner’s worth of gold to offer.
Indeed, the company knows not what it does, unaware that the hour of the dragons grows near. Not only has eBay banned the sale of spells, but it has also prohibited the sale of potions. Yes, that even includes the +2 Potion of Dragonslaying — the fools! Psychic readings are similarly forbidden.
Read more at http://www.tecca.com/news/2012/08/15/ebay-magic-potion-psychic-reading-ban/#HhbovxHjcM6L82FJ.99
A wonderful and indepth interview with Grant Morrison by Jason Louv is up at Disinfo:
I always talk about Aboriginal culture, because that’s a culture that’s been around for forty thousand years. People think they’re primitive, but I don’t believe that any culture that’s been around for forty thousand years is primitive at all. And I spoke to somebody who’s been with the Aborigines and he said this amazing thing to me which I’ve never forgot. He said, “You don’t understand these people, they’ve dispensed with technology.” [Laughs] He said that these are the most sophisticated people on the planet, but unfortunately they’ve come up against a racist government that’s mastered much cruder methods and that’s fucked with them. He said, “What do you think, we’ve gone six thousand years and made all this, what do you think they made and then dismissed?” And I was just like, “Fuck …” [Laughs] And they have a totally different thing, their thinking’s like fifth dimensional thinking. And if you talk to an Aboriginal, he’ll go “Yeah, we’ve been to the moon, we fly around up there, we did that ages ago.” So what I mean is that they’re actually working in full-scale technology, but we got more drunk! ‘Cause that’s how we do it, that’s how our culture destroys its insight.