Posts tagged: architecture
I think this probably counts as psychetecture. The New York Times reports:
Three miles south of Giant Rock, across a scrubby expanse, you will find an even more extraordinary sight: a circular, dome-topped building, 38 feet tall and 55 feet in diameter, constructed by Van Tassel over the course of nearly two decades in accordance with the instructions of his extraterrestrial architectural patron. A sign above the gated entrance to the property proclaims the name that Van Tassel gave to his time machine: the Integratron.
“It’s the most amazing structure I’ve ever seen,” says Joanne Karl, who bought the building 14 years ago with her sisters Nancy and Patty. In fact, the Integratron is a sort of time machine, or at least a time capsule. It is an immaculately preserved artifact of midcentury modernist design, and a totem of 1950s U.F.O.-ology culture — the mixture of Cold War paranoia and occult spirituality that drew true believers to remote reaches of the Desert Southwest in search of flying saucers and free-floating enlightenment. Under the ownership of the Karls, it has become a unique tourist destination: perhaps the oddest spot in a very odd corner of the world, a magnet for new generations of spiritual questers and for the just plain curious. “Nobody comes to the Integratron and just shrugs,” says Joanne. “You don’t leave and say, ‘Oh, that was nothing.’ ”
Full Story: New York Times: Welcome to the Integraton
(via Jen Fong-Adwent)
See also: the work of Paul Laffoley.
From a 2011 BLDGBLOG interview with China Miéville:
. Novelists have an endless drive to aestheticize and to complicate. I know there’s a very strong tradition—a tradition in which I write, myself—about the decoding of the city. Thomas de Quincey, Michael Moorcock, Alan Moore, Neil Gaiman, Iain Sinclair—that type-thing. The idea that, if you draw the right lines across the city, you’ll find its Kabbalistic heart and so on.
The thing about that is that it’s intoxicating—but it’s also bullshit. It’s bullshit and it’s paranoia—and it’s paranoia in a kind of literal sense, in that it’s a totalizing project. As long as you’re constantly aware of that, at an aesthetic level, then it’s not necessarily a problem; you’re part of a process of urban mythologization, just like James Joyce was, I suppose. But the sense that this notion of uncovering—of taking a scalpel to the city and uncovering the dark truth—is actually real, or that it actually solves anything, and is anything other than an aesthetic sleight of hand, can be quite misleading, and possibly even worse than that. To the extent that those texts do solve anything, they only solve mysteries that they created in the first place, which they scrawled over the map of a mucky contingent mess of history called the city. They scrawled a big question mark over it and then they solved it.
Arthur Machen does this as well. All the great weird fiction city writers do it. Machen explicitly talks about the strength of London, as opposed to Paris, in that London is more chaotic. Although he doesn’t put it in these words, I think what partly draws him to London is this notion that, in the absence of a kind of unifying vision, like Haussmann’s Boulevards, and in a city that’s become much more syncretic and messy over time, you have more room to insert your own aestheticizing vision.
As I say, it’s not in and of itself a sin, but to think of this as a real thing—that it’s a lived political reality or a new historical understanding of the city—is, I think, a misprision.
BLDGBLOG: You can see this, as well, in the rise of psychogeography—or, at least, some popular version of it—as a tool of urban analysis in architecture today. This popularity often fails to recognize that, no matter how fun or poetic an experience it genuinely might be, randomly wandering around Boston with an iPhone, for instance, is not guaranteed to produce useful urban insights.
Miéville: Some really interesting stuff has been done with psychogeography—I’m not going to say it’s without uses other than for making pretty maps. I mean, re-experiencing lived urban reality in ways other than how one is more conventionally supposed to do so can shine a new light on things—but that’s an act of political assertion and will. If you like, it’s a kind of deliberate—and, in certain contexts, radical—misunderstanding. Great, you know—good on you! You’ve productively misunderstood the city. But I think that the bombast of these particular—what are we in now? fourth or fifth generation?—psychogeographers is problematic.
Arch Daily reports:
In a world where people live more mobile lifestyles than they have for centuries, cities are facing a problem they rarely planned for: their citizens move away. When jobs and resources start to decline, modern cities, such as Detroit , suffer difficult and often wasteful processes of urban contraction . In contrast to this, Manuel Dominguez’s “Very Large Structure,” the result of his thesis project at ETSA Madrid, proposes a nomadic city that can move on caterpillar tracks to locations where work and resources are abundant.
Of course this is not the first time that the idea of a nomadic city has been proposed. Ron Herron’s Walking City is one of the more recognizable Archigram designs from the 1960s, and has been influential to architectural theory ever since. However, the design for the “Very Large Structure” expands on the Walking City by including strong proposals for energy generation on board the city. […]
Dominguez also felt it was important that his design be theoretically feasible, which is why he looked to the world of heavy engineering to inspire the structure’s colossal steel frame and caterpillar tracks. With all these additions, Dominguez’s design seems less of a fantasy than Herron’s giant shell on stilts.
Full Story: Arch Daily: A Walking City for the 21st Century
“Think of a City is a new storytelling project, where a number of artists from around the world build a city, page by page.” It’s like an exquisite corpse — each artist draws a page then hands it off to the next. The project was created by Alison Sampson and Ian MacEwan.
One could argue that the resurgence of our cities does not necessarily portend the fall of the suburbs. But while many cities have been benefiting from an influx of wealth, the suburbs have been suffering a rise in poverty. From 2000 to 2010, the number of poor in the suburbs or the nation’s largest metro areas grew by 53 percent to a record 15.3 million. And while poverty has increased in cities as well, the growth rate in the number of poor living in the suburbs was more than twice that in cities during the decade—and the suburbs are now home to the largest and fastest-growing poor population in the country. This isn’t just the Great Recession at work; as early as 2005, the suburban poor outnumbered their city counterparts by almost a million. “We think of poverty as a really urban phenomenon or an ultra-rural phenomenon. It’s increasingly a suburban issue,” says Elizabeth Kneebone, Brookings fellow and coauthor of a recent Brookings book on the topic, “Confronting Suburban Poverty in America.”
But as with most things, decay isn’t evenly distributed. More affluent suburbs are “revitalizing”:
Some developers have actually turned their focus on these dead or dying malls. Ellen Dunham-Jones, architecture professor at the Georgia Institute of Technology, and June Williamson, associate professor of architecture at the City College of New York, have documented this phenomenon in their book, “Retrofitting Suburbia: Urban Design Solutions for Redesigning Suburbs,” a comprehensive look at efforts to retool, reinhabit, or return to nature abandoned suburban forms. In some cases, this means turning gargantuan forgotten malls into hip, urbanized residential villages. One such experiment is under way in Lakewood, Colorado, an affluent suburb west of Denver. The former Villa Italia shopping mall, a 1.2-million-square-foot indoor mall built in 1966 that had fallen on hard times, has been turned into Belmar, 104-acre pedestrian-friendly community that has apartments, condos, town houses, office space, artists studios, and a shopping and entertainment promenade on twenty-two walkable, urbanized blocks. Now, instead of turning into the mall’s giant parking lot, you end up cruising along a downtown main drag, Alaska Street, which is lined with old-fashioned streetlights, coffee shops, boutiques, and restaurants. There are more than a thousand housing units, which range from town houses to loft condominiums to small-lot single-family homes, as well as a row of ground-floor artist studio and business incubator spaces. A public art project called “Urban Anatomy” has installed small works of art and fragments of poetry on manhole covers, sidewalk joints, and grates throughout the development, highlighting overlooked details of the urban environment.
The whole setup is definitely still suburban—the new urbanized village includes a Zales, Yankee Candle, and Sur La Table—but these suburbanites can leave their loft apartments on foot, pick up an espresso, and go hear a poetry reading, all on a site where Foley’s, Dillard’s, Montgomery Ward, and JCPenney once sat. There are dozens of these projects at other malls around the country. “It’s time to let the suburbs grow up,” Dunham-Jones says.
(via Meredith Yayanos)
P.S.: Suburban decay is an interesting search term for Flickr.
Above: generative cities and architecture by Aranda & Lasch
Futurist Chris Arkenberg outlines a possible scenario for urban planning and architecture:
As complex ecosystems, cities are confronting tremendous pressures to seek optimum efficiency with minimal impact in a resource-constrained world. While architecture, urban planning, and sustainability attempt to address the massive resource requirements and outflow of cities, there are signs that a deeper current of biology is working its way into the urban framework.
Innovations emerging across the disciplines of additive manufacturing, synthetic biology, swarm robotics, and architecture suggest a future scenario when buildings may be designed using libraries of biological templates and constructed with biosynthetic materials able to sense and adapt to their conditions. Construction itself may be handled by bacterial printers and swarms of mechanical assemblers.
This reminds me of the recent sci-fi short story “Crabapple by Lavie Tidhar:
Neighborhoods sprouted around Central Station like weeds. On the outskirts of the old neighborhood, along the Kibbutz Galuyot Road and Siren Road and Sderot Menachem Begin, the old abandoned highways of Tel Aviv, they grew, ringing the immense structure of the spaceport rising high into the sky. Houses sprouted like trees, blooming, adaptoplant weeds feeding on rain and sun, and digging roots into the sandy ground, breaking ancient asphalt. Adaptoplant neighborhoods, seasonal, unstable, sprouting walls and doors and windows, half-open sewers hanging in the air, exposed bamboo pipes, apartments growing over and into each other, growing without order or sense, creating pavements suspended in midair, houses at crazy angles, shacks and huts with half-formed doors, windows like eyes–
In autumn the neighborhoods shed, doors drying, windows shrinking slowly, pipes drooping. Houses fell like leaves to the ground below and the road cleaning machines murmured happily, eating up the shrunken leaves of former residencies. Above ground the tenants of those seasonal buoyant suburbs stepped cautiously, testing the ground with each step taken, to see if it would hold, migrating nervously across the skyline to other, fresher spurts of growth, new adaptoplant blooming delicately, windows opening like fruit–
For more of Arkenberg check out our interview with him. Want to learn to think like he does? Here’s his guest post listing his favorite books on systems thinking.
And for more big, mad ideas about architecture and cities check out:
Matthew Power on the urbex subculture:
Despite his scholarly bona fides—his doctoral work in geography at Royal Holloway, University of London had garnered wide acclaim—Garrett scarcely looks the part of an academic, neither tweedy nor fusty. Thirty-two years old, with a trimmed goatee and a mop of straight brown hair hanging over black plastic frames, he grew up in Southern California and ran a skate shop before deciding to pursue a doctorate. His face, which is frequently lit up in mischievous, eyebrow-raised delight, still bears the pocks of over a dozen piercings he dispensed with in the interests of maintaining some veneer of academic respectability.
But it was his doctoral research itself that was perhaps most punk rock. His dissertation in human geography, which he had defended the previous year, was entitled “Place Hacking.” The title came from his argument that physical space is coded just like the operating system of a computer network, and it could be hacked—explored, infiltrated, re-coded—in precisely the same ways. He conducted a deep ethnographic study of a small crew of self-described “urban explorers” who over several years had infiltrated an astonishing array of off-limits sites above and below London and across Europe: abandoned Tube stations, uncompleted skyscrapers, World War II bomb shelters, derelict submarines, and half-built Olympic stadiums. They had commandeered (and accidentally derailed) an underground train of the now defunct Mail Rail, which once delivered the Royal Mail along a 23-mile circuit beneath London. They had pried open the blast doors of the Burlington bunker, a disused 35-acre subterranean Cold War-era complex that was to house the British government in the event of nuclear Armageddon. The London crew’s objective, as much as any of them could agree on one, was to rediscover, reappropriate, and reimagine the urban landscape in what is perhaps the most highly surveilled and tightly controlled city on earth.
Full Story: GQ: Excuse Us While We Kiss The Sky
From the press release:
A 15-unit apartment building has been constructed in the German city of Hamburg that has 129 algae filled louvered tanks hanging over the exterior of the south-east and south-west sides of the building—making it the first in the world to be powered exclusively by algae. Designed by Arup, SSC Strategic Science Consultants and Splitterwerk Architects, and named the Bio Intelligent Quotient (BIQ) House, the building demonstrates the ability to use algae as a way to heat and cool large buildings.
In the comic Mister X written by Dean Motter Psychetecture is art and science of altering people’s consciousness through architectural design (it’s also the source for the name of my soundscaping project Psychetect).
It turns out there are at least a few people out there studying just that:
For thousands of years, people have talked about architecture in terms of aesthetics. Whether discussing the symmetry of the Parthenon or the cladding on the latest Manhattan skyscraper, they focus first on how the buildings look, on their particular surfaces and style.
Today, it turns out, the real cutting edge of architecture has to do with the psychology of buildings, not just their appearance. Recently, scientists have begun to focus on how architecture and design can influence our moods, thoughts and health. They’ve discovered that everything—from the quality of a view to the height of a ceiling, from the wall color to the furniture—shapes how we think. […]
But spaces can also help us to become more creative and attentive. In 2009, psychologists at the University of British Columbia studied how the color of a background—say, the shade of an interior wall—affects performance on a variety of mental tasks. They tested 600 subjects when surrounded by red, blue or neutral colors—in both real and virtual environments.
Kowloon Walled City, located not far from the former Kai Tak Airport, was a remarkable high-rise squatter camp that by the 1980s had 50,000 residents. A historical accident of colonial Hong Kong, it existed in a lawless vacuum until it became an embarrassment for Britain. This month marks the 20th anniversary of its demolition.
From: South China Morning Post
(via Adam Greenfield)