From Yasha Levine at Pando:
Remember Justine Tunney? The OWS-anarchist-turned-cultist-Google-employee who bashed my reporting on Google’s for-profit surveillance? Well, today she hit the big time.
Over the last few days, Tunney has been causing a Twitter outrage tsunami after she took full control of the main Occupy Wall Street (OWS) Twitter account, claimed to be the founder of OWS and then proceeded to tweet out stream of ridiculous anarcho-corporatist garbage. She railed against welfare, described the government as “just another corporation,” argued poverty was not a political problem but “an engineering problem” and told politicians to “get out of the way.” She also debunked what she thought was a misconception: people thought OWS activists were protesting against concentrated corporate power, and that, she claims, is simply not true.
Anthony Galluzzo writes:
Even as the New York Times and its ilk now use hipster-bashing to delegitimize the new political awareness among the same un- and underemployed twenty- and thirty-somethings — previously taken to task for their avoidance of politics — the same bashers employ this all-purpose dummy to ventriloquize their own refined and slightly ridiculous consumption habits.
And while Rupert Murdoch’s reactionary gazetteers at least acknowledge the ongoing, and (in the case of 13 Thames Street) partly political character of the evictions in which they delight, the enlightened New York Times will always opt for the “fucking hipster” show — the 21st century bourgeois liberal’s preferred flavor of minstrelsy — over any ‘hard times’ depiction of downward mobility among artists, anarchists and other riffraff.
That, after all, could depress today’s gentrifiers or tomorrow’s property values.
Black Mask Studios, the recently formed transmedia publishing company — founded by comic book writer Steve Niles, entrepreneur and transmedia production shingle Halo-8′s Matt Pizzolo, and Bad Religion guitarist Brett Gurewitz — has recruited some of comics’ biggest guns to help create their first wave of comic book titles.
Among the luminaries participating are Watchmen co-creator Alan Moore, V for Vendetta artist David Lloyd, Pulitzer Prize-winning Maus creator Art Spiegelman, The Walking Dead artist Charlie Adlard, Mike Allred (Madman), Ben Templesmith (30 Days of Night), J.M. DeMatteis (Justice League, Spider-Man), Molly Crabapple (Shell Game), as well as Wu-Tang Clan’s RZA and Ghostface Killah.
And there’s not a superhero in sight.
(via Hal Phillips)
Quinn Norton wrote a lengthy piece on her experience as an embedded reporter at Occupy, from the hopeful early days through the aftermath of the evictions:
Because the GA had no way to reject force, over time it fell to force. Proposals won by intimidation; bullies carried the day. What began as a way to let people reform and remake themselves had no mechanism for dealing with them when they didn’t. It had no way to deal with parasites and predators. It became a diseased process, pushing out the weak and quiet it had meant to enfranchise until it finally collapsed when nothing was left but predators trying to rip out each other’s throats.
In other words, it fell to the “tyranny of structurelessness, a long-time problem for leaderless organizations. And the radical exclusivity ended up excluding almost everyone:
As the camps became darker, the women mostly left, and those who remained were grateful to just be left alone. By my count Occupy had dropped from as high as 40 percent women to less then 10 percent, in an atmosphere of sexual violence, bare intimidation and hatred. By then for a certain kind of occupier, anything with breasts was a target in the camps, either for scorn or being too sexy or being insufficiently sexy. It was never the majority, but the majority did nothing to stop it. They had a progressive stack in the GA that purported to let women speak first, but no one talked about the comments, the groping, the rumors of rapes.
One of the failures Norton identifies was the inability for both the GA and the Occupy media to self-critique. This lead to the media groups being propagandists enabling self-deception:
“One of the main reasons I wanted to have the PO separate from the GA, is I wanted, from the very beginning, a means within the process for booting people out. The GA had no such process,” he said.
His original idea was to tell positive stories from the camp. He worked with media teams from Boston, LA, Chicago, and New York, and traveled to other camps to get the stories out. In time, Rothstein came to see that Occupy’s media needed to tell all the stories of what was going on: the wonderful and the terrible. By then it was too late.
Full Story: Wired: A Eulogy for #Occupy
Another recent story on the failure of Occupy, by Thomas Frank, laid the blame mostly on the academic tone of Occupy. He makes a good point but I think overstates the case.
I’m hesitant to call Occupy “over,” what with the Rolling Jubilee and the ongoing occupation of foreclosed homes, but certainly the movement, as it originally existed, is over. But there is much to be learned from how things went down.
Above: The trailer for Jimmy’s End, a forthcoming 30 minute film written by Alan Moore and directed by Mitch Jenkins. According to Lex Records, it is the second part of a series of short films collectively called “The Show.” The first, titled Act of Faith, is a prequel to Jimmy’s End and will be released on jimmysend.com on November 19. Jimmy’s End itself will be released on November 25.
Moore has also recorded a single titled “The Decline of English Murder” for Occupation Records. You can find out more, and listen to the song, at The Guardian. You can download it from the Occupation Records shop for £1.00.
Moore had previously recorded “March of the Sinister Ducks” and other works with David J of Bauhaus and Love and Rockets (the band, not the comic). Speaking of whom, Moore once wrote a letter to Fortean Times about one of his performances with J, which has been reproduced online.
These images may seem exhaustive, even redundant. But that is the point: across the world, from New York to Paris to Melbourne, designating entire encampments as trash was a common tactic of municipal governments and their police forces. The ability to designate, and then forcibly treat, another group’s possessions as trash is a show of power, and is particularly ideological in nature.This is just not a case of clearing areas as efficiently as possible. Even objects of obvious worth, such as libraries, laptops, backpacks, and kitchen supplies, were indiscriminately trashed.
“Occupying” did not “Fizzle”. It was arrested, jailed, & repressed by a military police force’s fear tactics. We are still here. Everywhere.
— Occupy Oakland (@OccupyOakland) September 18, 2012
At the LA Zine Fest, V. Vale tells Henry Rolls about about his idea for an “Occupy Handbook” collecting posters and slogans from the movement worldwide. Rollins talks about his collection of George W. Bush graffiti from around the world.
(via V. Vale on Twitter)
From a Deep Green Resistance press release:
Computer hackers known as Anonymous leaked information obtained by hacking into private intelligence firm Stratfor’s computer network. The documents – what Anonymous is calling a teaser – suggest that from at least October to November 2011 Stratfor worked with Texas law enforcement to infiltrate the Occupy movement and spy on the Deep Green Resistance movement. The document contains emails in which Stratfor employees discuss Occupy Austin and Deep Green Resistance. Stratfor “Watch Officer” Marc Lanthemann writes about receiving information on Occupy Austin and DGR from a “Texas DPS agent.” The Texas Department of Public Safety is a statewide law enforcement agency that includes an Intelligence and Counterterrorism Division.
You can find documents and more information on the DGR website.
Nearly 30 years after publishing V for Vendetta, writer Alan Moore and artist David Lloyd are throwing their support behind the global Occupy movement that’s drawn inspiration from their comic’s anti-totalitarian philosophy and iconography.
Moore will contribute a long-form prose piece, possibly with illustrations, to the Occupy Comics project. His writing work will explore the Occupy movement’s principles, corporate control of the comics industry and the superhero paradigm itself.
Lloyd signed onto the growing Occupy Comics project last week, as did Madman’s Mike Allred and American Splendor’s Dean Haspiel. Occupy Comics will eventually sell single-issue comic books and a hardcover compilation, but an innovative arrangement with Kickstarter means that funds raised through pledges of support can be channeled directly to Occupy Wall Street’s populist ranks now.
I originally posted this as an update to my earlier post, but I think it’s worth its own post:
I’d been avoiding posting anything about speculation that the Department of Homeland Security had anything to do with coordinating the police raids on occupy until there was some real evidence. I thought Wolf had some new sources but, as Kenneth Huey points out in the comments, it turns out Wolf’s sources rely on that same old anonymously sourced Examiner story. But there is currently no evidence that Congress or the White House ordered or coordinated the raids, and the White House has specifically denied this. If anyone knows of any particular mayor or police chief denying DHS involvement, please let me know.
There are many other problems with Wolf’s account of the story, as detailed here. That The Guardian is still running this story from Wolf without any updates or corrections is disappointing.
It’s worth noting that another source of national coordination regarding the Occupy movement has emerged. Wes Unruh pointed me towards this story in the San Francisco Bay Guardian which reveals that the international non-governmental organization The Police Executive Research Forum (PERF) coordinated raids nationally. Police chiefs in several major cities participated in a series of conference calls distinct from the 18 mayor call mentioned by Oakland Mayor Jean Quan. PERF has also been involved in coordinating crackdowns on anti-globalization protests. The executive director of PERF, Chuck Wexler, is also on the advisory council of DHS, leading some to refer to the organization as “having ties to” DHS (including the San Francisco Bay Guardian), but I wouldn’t (yet) read too much into this relationship.
It might also be worth mentioning that according to Tom Henderson DHS vehicles were spotted at the Occupy Portland eviction, but as Tom notes the Occupy Portland spilled into federal park, so we can’t read too much into that.
One final note on the potential federal involvement in the Occupy crackdown. I’ve noticed that Portland Mayor Sam Adams almost always mentions drug use in the camp when explaining why he flip-flopped from supporting Occupy Portland to ordering its eviction. Since 1981 there has been an ongoing erosion of military and civilian law enforcement, particularly with regards to drug law enforcement. Here’s an excerpt from Diane Cecilia Weber’s paper Warrior Cops: The Ominous Growth of Paramilitarism in American Police Departments:
In 1981 Congress passed the Military Cooperation with Law Enforcement Officials Act. That law amended the Posse Comitatus Act insofar as it authorized the military to “assist” civilian police in the enforcement of drug laws. The act encouraged the military to (a) make available equipment, military bases, and research facilities to federal, state, and local police; (b) train and advise civilian police on the use of the equipment; and (c) assist law enforcement personnel in keeping drugs from entering the country. The act also authorized the military to share information acquired during military operations with civilian law enforcement agencies.
The overlap between civilian and military law enforcement was furthered in 1986 when President Reagan issued a National Security Decision Directive declaring illegal drugs a threat to national security. You can find more on this in Radley Balko’s book/white paper Overkill.
The possibility of federal involvement remains speculative, but returning to the line about drugs again and again could be a tactic to justify the invovlement of the feds, at least at the level of funding.